In the interest of full disclosure, I should admit straight-away that it has been some time (years) since I subscribed to the monthly fishwrap that is Wine Spectator. Yes, once in a blue moon a client has lent me an issue or two but in all honesty that is quite rare. Why do I preface this post as such? Because it seems that I have become out of touch with the way in which WS 'critiques' wine nowadays.
The (not so) recent issue of Spectator came my way via one of my sales reps. He had called me to ask if I had seen in, then said he be at my shop in a minute. What's the big deal, I wondered. Then he showed me the 'Buying Guide'. The cover story for the issue was something like
'California Cabernet Shines in 2002'. Admittedly, this statement does little to get me excited but it does imply that this particular vintage is something to look out for, i.e. better than usual. And it may well be, at least for someone.
Let me give a little context on scores. Anyone who knows me or has read this blog for any period of time knows what I think about them - It is an exercise in masturbation. But that is not the point here. For the sake of this discussion (and all reality for that matter), they (scores) are a very real element of the wine industry. Every critic (in the U.S.) has his/her variation on this theme but the are more or less the same : 100 point scale with all sorts of bullshit delineations separating 'Great' from 'Totally Awesome' from 'Un-friggin-believable' from etc...
The fact of the matter is that this 'scale' really only runs from 85 - 100. I'm not going to argue for a change (although I think one is due) but for the sake of the buying public and the monkeys that sell to them, nothing less than an '85' will get on the shelf. And nothing less than a '90' will raise an eyebrow. If you think I'm wrong, go check out your local bottle shop (except for Le Chai - I don't use the damned things) and look around. If there is a shelf talker (that little tag that screams 'Buy Me!') it will have at least 85 points. Said points may not be from Spectator, or Parker, or even Tanzer, but
they will be from someone. And if you look real close, the vintage cited is often different from the vintage on the shelf. Anyway, I digress.
Looking through this issue of Spectator, I was rather surprised how varied the 'scores' were for the Cabs that were reviewed. It is also rather surprising the rate at which the pricing for alot of these wines has esculated. There were the usual suspects, of course:
Araujo Eisele Vineyard 2002 $195___95 points
Bond Melbury 2002 $210___97 points
Bond St. Eden 2002 $210___96 points
Bond Vecina 2002 $210___95 points
Colgin Herb Lamb Vineyard 2002 $200___94 points
Colgin Tyschon Hill Vineyard 2002 $250___96 points
Harlan Estate 2002 $245___99 points
Paul Hobbs Beckstoffer To-Kalon 2002 $265___94 points
Joseph Phelps Insignia 2002 $150___96 points
and so on. Again none of the above are all that surprising but there were plenty that had me wondering:
Nickle & Nickle Vogt Vineyard 2002 $75___82 points
Nickle & Nickle John C. Sullenger Vineyard 2002 $75___83 points
Nickle & Nickle Stelling Vineyard 2002 $75___80 points
Nickle & Nickle Dragonfly Vineyard 2002 $75___79 points
Plumpjack McWilliams Reserve 2002 $160___86 points
Sausal 2002 $30___79 points
Seavy 2002 $74___82 points
Seavy Caravina $38___75 points
and so on. Trust me, I am merely scratching the surface of how many wines were reviewes in this issue. And these ratings bring up more than a few questions in my mind.
1. What the hell is going on at Wine Spectator? As I stated earlier, it's been some time since I've read it but it seems that they may actually be judging the wine for the wine's sake, not just rubber-stamping the wines out the door. While there has been some difference of opinion on one particular wine or another, the usual suspects generally seem to get (more or less) equal treatment from Parker, Laube, et al. Is this a 'throwing down the gauntlet' move on the part of WS? I should offer that I think it is about-damn-time that somebody actually start calling these wines for what they are. Unfortunately, I think WS has such a hot nut for Parker and his 'power' that they can't (read:won't) keep this sort of thing up.
2. Since when did these low ratings (sub-'85') actually get ink in the magazine. In reading the various media it
seemed as if there was a 'un-written' rule concerning wine scores. That being, if your wine was
that bad, they would do you a favor and simply not mention it at all. A different vintage all together but this same 'Buying Guide' listed the following:
Fetzer Sonoma County Barrel Select $20___55 points
Damn.
3. There is an old saying 'You made your bed, you sleep in it'. I can't help but get a chuckle out of this because the very thing that wineries hold dearest and (whether they admit it or not) need is the almighty blessing from some 'expert'. Well, it looks as if that rooster has come home to roost. But in the end, it won't really matter. The new issue of Ws is already out and so the old one is ancient history.
4. There are many out there that believe the market always buys the best, whatever it is they're buying. It would be fair to expect that such a negative review of so many wines from such a respected authority, would cause a great number of these wines
not to sell, thus causing an oversupply. Unfortunately, those really running the market simply won't allow that to happen. In the big picture - much to Marvin Shankin's frustration, I'm sure - the points and opinions of Robert Parker carry far more weight with the average jackass despite the fact that WS has an exponentially greater readership. And lastly, as I mentioned before, the sales reps that make the 'shelf-talkers' will simply bypass Spectator for a review of the 2000 Fetzer and simply search the web until they can find some county fair somewhere that said it was a 87 point wine.
5. Finally, arguably the biggest question. So far as I was able to gleen, Spectator made no real attempt to explain why there are such wide differences in quality. Keep in mind,
these are all Napa Valley Cabernets. Sure, some are from Howell Mountain, others from Oakville, but seriously, how many ways are there to skin that cat. I know they'd like you to think so, but were not talking about Pinot Noir in Burgundy here. The equation is pretty simple: Long hangtime, water back, 1000% new oak, custom über-heavy glass bottles, count the cash.
5b. While trying to wrap this thing up, I noticed something quite curious. One of the wines cited above was a Paul Hobbs Beckstoffer To-Kalon Cab. Regardless the price, the wine got 94 points. Put aside any opinions about the hang-time debate and I would think it safe to say that Andy Beckstoffer is easily in the top 5 growers in the whole damn country. So what gives with the following:
Merryvale Oakville Beckstoffer Vineyard X 2002 $75___85 points
Merryvale Rutherford Beckstoffer Clone Six 2002 $90___73 points
Reading this really makes me scratch my head. First off, I know we not talking about To-
Kalon, but still, Beckstoffer does not play around. Second, if a winery has the coin to be buying fruit from him, they've got the coin to pay somebody not to f*** it up.
73 points?!? According to their own chart, Wine Spectator say this
70-79 Average, a drinkable wine that may have minor flaws.
This gets back to the whole 100 point scale thing because if you saw a wine in a store for $90 and it had a shelf talker saying 73, the last thing you would think is 'average'.
Think about it.